"One thing I always feel in the midst of trying to talk coherently about a story I’ve finished is that, you know, ninety per cent of it was intuitive, done at-speed, for reasons I can’t quite articulate, except in the 'A felt better than B' way. All these choices add up, and make the surface of the story, and, of course, the thematics and all that—but I’m not usually thinking about any of that too much, or too overtly. It’s more feeling than thinking—or a combination of the two, with feeling being in charge, and thinking sort of running around behind, making overly literal suggestions, and those feelings being sounded out and exercised and manifested via heavy editing and rewriting (as opposed to, say, planning and deciding). The important part of the writing process, for me, is trying to make choices that push the story in the most interesting direction, by which I mean the direction that causes the story to give off the most light. The story’s goal is to be fascinating and stimulating and irreducible; the writer’s job is to micromanage the text to make this happen."
From a recent George Saunders interview in The New Yorker. Love that bit about causing a story to give off the most light.
And yes, it has been a while since I've posted anything here. I am aware.